L’industrie cin\u00e9matographique canadienne sous le choc des menaces de tarifs de Trump<\/title> \n<\/head> \n<body><\/p>\nJe suis arriv\u00e9 vendredi dernier sur le plateau de tournage de \u00ab\u00a0Starshine Valley\u00a0\u00bb \u00e0 Vancouver, o\u00f9 un silence inqui\u00e9tant avait remplac\u00e9 l’\u00e9nergie chaotique habituelle de la production. Les \u00e9quipes se tenaient en petits groupes, t\u00e9l\u00e9phones \u00e0 la main, partageant des nouvelles plut\u00f4t que des feuilles de service. Quelques heures plus t\u00f4t, le pr\u00e9sident \u00e9lu Donald Trump<\/b> avait annonc\u00e9 son intention d’imposer des tarifs \u00ab\u00a0d’au moins 25%\u00a0\u00bb<\/b> sur les films et \u00e9missions de t\u00e9l\u00e9vision \u00e9trangers entrant sur le march\u00e9 am\u00e9ricain.<\/p>\n\u00ab\u00a0Nous sommes en pause jusqu’\u00e0 nouvel ordre,\u00a0\u00bb m’explique Sarah Chen, coordinatrice de production qui encha\u00eenait les contrats en Colombie-Britannique depuis pr\u00e8s de cinq ans. \u00ab\u00a0Les dirigeants des studios veulent voir \u00e0 quel point ces menaces sont s\u00e9rieuses avant d’engager plus d’argent.\u00a0\u00bb<\/p>\nL’anxi\u00e9t\u00e9 qui traverse l’industrie cin\u00e9matographique canadienne de 12,8 milliards de dollars<\/b> refl\u00e8te une incertitude \u00e9conomique plus large, alors que le retour de Trump au pouvoir menace de bouleverser des relations commerciales d\u00e9licates qui ont r\u00e9sist\u00e9 aux tensions pr\u00e9c\u00e9dentes mais restent vuln\u00e9rables.<\/p>\nVancouver, Toronto et Montr\u00e9al servent depuis longtemps de centres de production pour les studios hollywoodiens \u00e0 la recherche d’incitatifs fiscaux et de lieux de tournage diversifi\u00e9s. <a href=\"https:\/\/cmpa.ca\" rel=\"nofollow noopener\" target=\"_blank\">L’Association canadienne des producteurs m\u00e9diatiques<\/a> rapporte que la production \u00e9trang\u00e8re, principalement am\u00e9ricaine, a g\u00e9n\u00e9r\u00e9 plus de 6,2 milliards de dollars<\/b> en 2022, cr\u00e9ant des milliers d’emplois et soutenant d’innombrables entreprises auxiliaires, de la restauration \u00e0 la location d’\u00e9quipement.<\/p>\nL’annonce des tarifs de Trump est survenue lors d’un rassemblement \u00e9lectoral au Michigan, o\u00f9 il a promis de \u00ab\u00a0ramener Hollywood en Am\u00e9rique\u00a0\u00bb et accus\u00e9 les gouvernements \u00e9trangers de \u00ab\u00a0voler des emplois am\u00e9ricains gr\u00e2ce \u00e0 des avantages fiscaux injustes.\u00a0\u00bb Bien que pauvre en d\u00e9tails d’impl\u00e9mentation, la menace \u00e0 elle seule a envoy\u00e9 les soci\u00e9t\u00e9s de production dans une course pour \u00e9valuer les co\u00fbts potentiels.<\/p>\nMichael Levine, avocat sp\u00e9cialis\u00e9 dans le divertissement qui n\u00e9gocie des accords de production transfrontaliers depuis plus de vingt ans, estime que l’incertitude elle-m\u00eame pose des dangers imm\u00e9diats. \u00ab\u00a0Les productions planifient des ann\u00e9es \u00e0 l’avance. Quand vous introduisez ce niveau d’impr\u00e9visibilit\u00e9 financi\u00e8re, le calcul des risques change compl\u00e8tement. Les studios peuvent simplement d\u00e9cider qu’il est plus facile de tourner en G\u00e9orgie ou au Nouveau-Mexique.\u00a0\u00bb<\/p>\nLes retomb\u00e9es potentielles s’\u00e9tendent au-del\u00e0 des emplois directs de production. Dans le quartier Port Lands de Toronto, Derek Sullivan dirige une entreprise de transport sp\u00e9cialis\u00e9e qui d\u00e9place l’\u00e9quipement pour les grandes productions. Son entrep\u00f4t contient des millions en v\u00e9hicules et \u00e9quipements sp\u00e9cialis\u00e9s. \u00ab\u00a0Nous avons pris de l’expansion l’ann\u00e9e derni\u00e8re en fonction des pr\u00e9visions de production. Maintenant, nous envisageons des licenciements si m\u00eame un quart des productions pr\u00e9vues se retirent.\u00a0\u00bb<\/p>\nLes donn\u00e9es historiques du <a href=\"https:\/\/www.toronto.ca\/\n\n<\/p>\n","protected":false},"excerpt":{"rendered":"L’industrie cin\u00e9matographique canadienne sous le choc des menaces de tarifs de Trump Je suis arriv\u00e9 vendredi dernier sur le plateau de tournage de \u00ab\u00a0Starshine Valley\u00a0\u00bb \u00e0 Vancouver, o\u00f9 un silence inqui\u00e9tant avait remplac\u00e9 l’\u00e9nergie chaotique habituelle de la production. Les \u00e9quipes se tenaient en petits groupes, t\u00e9l\u00e9phones \u00e0 la main, partageant des nouvelles plut\u00f4t que […]<\/p>\n","protected":false},"author":2,"featured_media":3425,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[146],"tags":[1015,1018,1016],"ppma_author":[162],"class_list":{"0":"post-3427","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-trump-trade-war-fr","8":"tag-cinema-canadien","9":"tag-industrie-du-divertissement","10":"tag-production-cinematographique"},"_form":null,"_mail":null,"_mail_2":null,"_messages":null,"_additional_settings":null,"_locale":null,"_hash":null,"_wp_attached_file":null,"_wp_attachment_metadata":null,"_elementor_page_settings":null,"_menu_item_type":null,"_menu_item_menu_item_parent":null,"_menu_item_object_id":null,"_menu_item_object":null,"_menu_item_target":null,"_menu_item_classes":null,"_menu_item_xfn":null,"_menu_item_url":null,"_thumbnail_id":"3425","_wp_old_slug":null,"_oembed_aabfd980ef699725dc5d6ea0f5c5f063":null,"_oembed_time_aabfd980ef699725dc5d6ea0f5c5f063":null,"foxiz_menu_meta":null,"foxiz_user_rating":null,"_wp_attachment_image_alt":null,"ruby_tagline":null,"ruby_live_blog":null,"rank_math_primary_category":null,"_wp_attachment_context":null,"wpml_media_processed":null,"ppmacf_slug":null,"ppmacf_type":null,"ppmacf_field_status":null,"ppmacf_requirement":null,"ppmacf_social_profile":null,"ppmacf_schema_property":null,"ppmacf_rel":null,"ppmacf_target":null,"ppmacf_description":null,"ppmacf_inbuilt":null,"ppma_boxes_layout_meta_value":null,"ppma_disable_author_box":null,"_mc4wp_settings":null,"text_subscribed":null,"text_invalid_email":null,"text_required_field_missing":null,"text_already_subscribed":null,"text_error":null,"text_unsubscribed":null,"text_not_subscribed":null,"text_no_lists_selected":null,"text_updated":null,"text_spam":null,"_pingme":null,"_encloseme":null,"_wp_trash_meta_comments_status":null,"_elementor_page_assets":null,"_elementor_element_cache":null,"_wp_page_template":null,"_elementor_edit_mode":null,"_elementor_template_type":null,"foxiz_content_total_word":null,"_elementor_version":null,"_elementor_data":null,"ppma_authors_name":"Malik Thompson","rb_global_meta":null,"_elementor_controls_usage":null,"_wp_old_date":null,"ao_post_optimize":null,"rank_math_analytic_object_id":null,"rank_math_og_content_image":null,"_edit_lock":null,"rank_math_seo_score":null,"rank_math_internal_links_processed":null,"_edit_last":null,"_wpml_word_count":"557","_wpml_location_migration_done":"1","rank_math_focus_keyword":"Impact des tarifs des films de Trump sur le Canada","rank_math_title":null,"rank_math_description":"Tarifs de Trump: La menace de taxes de 25% secoue le cin\u00e9ma canadien, mettant en p\u00e9ril des milliers d'emplois et l'\u00e9conomie. 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{"id":3427,"date":"2025-05-05T17:12:24","date_gmt":"2025-05-05T21:12:24","guid":{"rendered":"https:\/\/mediawall.news\/impact-tarifs-films-trump-studios-canadiens\/"},"modified":"2025-05-05T17:12:24","modified_gmt":"2025-05-05T21:12:24","slug":"impact-tarifs-films-trump-studios-canadiens","status":"publish","type":"post","link":"https:\/\/www.mediawall.news\/fr\/impact-tarifs-films-trump-studios-canadiens\/","title":{"rendered":"Impact des tarifs des films de Trump sur les studios canadiens"},"content":{"rendered":"

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\n L’industrie cin\u00e9matographique canadienne sous le choc des menaces de tarifs de Trump<\/title> \n<\/head> \n<body><\/p>\nJe suis arriv\u00e9 vendredi dernier sur le plateau de tournage de \u00ab\u00a0Starshine Valley\u00a0\u00bb \u00e0 Vancouver, o\u00f9 un silence inqui\u00e9tant avait remplac\u00e9 l’\u00e9nergie chaotique habituelle de la production. Les \u00e9quipes se tenaient en petits groupes, t\u00e9l\u00e9phones \u00e0 la main, partageant des nouvelles plut\u00f4t que des feuilles de service. Quelques heures plus t\u00f4t, le pr\u00e9sident \u00e9lu Donald Trump<\/b> avait annonc\u00e9 son intention d’imposer des tarifs \u00ab\u00a0d’au moins 25%\u00a0\u00bb<\/b> sur les films et \u00e9missions de t\u00e9l\u00e9vision \u00e9trangers entrant sur le march\u00e9 am\u00e9ricain.<\/p>\n\u00ab\u00a0Nous sommes en pause jusqu’\u00e0 nouvel ordre,\u00a0\u00bb m’explique Sarah Chen, coordinatrice de production qui encha\u00eenait les contrats en Colombie-Britannique depuis pr\u00e8s de cinq ans. \u00ab\u00a0Les dirigeants des studios veulent voir \u00e0 quel point ces menaces sont s\u00e9rieuses avant d’engager plus d’argent.\u00a0\u00bb<\/p>\nL’anxi\u00e9t\u00e9 qui traverse l’industrie cin\u00e9matographique canadienne de 12,8 milliards de dollars<\/b> refl\u00e8te une incertitude \u00e9conomique plus large, alors que le retour de Trump au pouvoir menace de bouleverser des relations commerciales d\u00e9licates qui ont r\u00e9sist\u00e9 aux tensions pr\u00e9c\u00e9dentes mais restent vuln\u00e9rables.<\/p>\nVancouver, Toronto et Montr\u00e9al servent depuis longtemps de centres de production pour les studios hollywoodiens \u00e0 la recherche d’incitatifs fiscaux et de lieux de tournage diversifi\u00e9s. <a href=\"https:\/\/cmpa.ca\" rel=\"nofollow noopener\" target=\"_blank\">L’Association canadienne des producteurs m\u00e9diatiques<\/a> rapporte que la production \u00e9trang\u00e8re, principalement am\u00e9ricaine, a g\u00e9n\u00e9r\u00e9 plus de 6,2 milliards de dollars<\/b> en 2022, cr\u00e9ant des milliers d’emplois et soutenant d’innombrables entreprises auxiliaires, de la restauration \u00e0 la location d’\u00e9quipement.<\/p>\nL’annonce des tarifs de Trump est survenue lors d’un rassemblement \u00e9lectoral au Michigan, o\u00f9 il a promis de \u00ab\u00a0ramener Hollywood en Am\u00e9rique\u00a0\u00bb et accus\u00e9 les gouvernements \u00e9trangers de \u00ab\u00a0voler des emplois am\u00e9ricains gr\u00e2ce \u00e0 des avantages fiscaux injustes.\u00a0\u00bb Bien que pauvre en d\u00e9tails d’impl\u00e9mentation, la menace \u00e0 elle seule a envoy\u00e9 les soci\u00e9t\u00e9s de production dans une course pour \u00e9valuer les co\u00fbts potentiels.<\/p>\nMichael Levine, avocat sp\u00e9cialis\u00e9 dans le divertissement qui n\u00e9gocie des accords de production transfrontaliers depuis plus de vingt ans, estime que l’incertitude elle-m\u00eame pose des dangers imm\u00e9diats. \u00ab\u00a0Les productions planifient des ann\u00e9es \u00e0 l’avance. Quand vous introduisez ce niveau d’impr\u00e9visibilit\u00e9 financi\u00e8re, le calcul des risques change compl\u00e8tement. Les studios peuvent simplement d\u00e9cider qu’il est plus facile de tourner en G\u00e9orgie ou au Nouveau-Mexique.\u00a0\u00bb<\/p>\nLes retomb\u00e9es potentielles s’\u00e9tendent au-del\u00e0 des emplois directs de production. Dans le quartier Port Lands de Toronto, Derek Sullivan dirige une entreprise de transport sp\u00e9cialis\u00e9e qui d\u00e9place l’\u00e9quipement pour les grandes productions. Son entrep\u00f4t contient des millions en v\u00e9hicules et \u00e9quipements sp\u00e9cialis\u00e9s. \u00ab\u00a0Nous avons pris de l’expansion l’ann\u00e9e derni\u00e8re en fonction des pr\u00e9visions de production. Maintenant, nous envisageons des licenciements si m\u00eame un quart des productions pr\u00e9vues se retirent.\u00a0\u00bb<\/p>\nLes donn\u00e9es historiques du <a href=\"https:\/\/www.toronto.ca\/\n\n<\/p>\n","protected":false},"excerpt":{"rendered":"L’industrie cin\u00e9matographique canadienne sous le choc des menaces de tarifs de Trump Je suis arriv\u00e9 vendredi dernier sur le plateau de tournage de \u00ab\u00a0Starshine Valley\u00a0\u00bb \u00e0 Vancouver, o\u00f9 un silence inqui\u00e9tant avait remplac\u00e9 l’\u00e9nergie chaotique habituelle de la production. Les \u00e9quipes se tenaient en petits groupes, t\u00e9l\u00e9phones \u00e0 la main, partageant des nouvelles plut\u00f4t que […]<\/p>\n","protected":false},"author":2,"featured_media":3425,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[146],"tags":[1015,1018,1016],"ppma_author":[162],"class_list":{"0":"post-3427","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-trump-trade-war-fr","8":"tag-cinema-canadien","9":"tag-industrie-du-divertissement","10":"tag-production-cinematographique"},"_form":null,"_mail":null,"_mail_2":null,"_messages":null,"_additional_settings":null,"_locale":null,"_hash":null,"_wp_attached_file":null,"_wp_attachment_metadata":null,"_elementor_page_settings":null,"_menu_item_type":null,"_menu_item_menu_item_parent":null,"_menu_item_object_id":null,"_menu_item_object":null,"_menu_item_target":null,"_menu_item_classes":null,"_menu_item_xfn":null,"_menu_item_url":null,"_thumbnail_id":"3425","_wp_old_slug":null,"_oembed_aabfd980ef699725dc5d6ea0f5c5f063":null,"_oembed_time_aabfd980ef699725dc5d6ea0f5c5f063":null,"foxiz_menu_meta":null,"foxiz_user_rating":null,"_wp_attachment_image_alt":null,"ruby_tagline":null,"ruby_live_blog":null,"rank_math_primary_category":null,"_wp_attachment_context":null,"wpml_media_processed":null,"ppmacf_slug":null,"ppmacf_type":null,"ppmacf_field_status":null,"ppmacf_requirement":null,"ppmacf_social_profile":null,"ppmacf_schema_property":null,"ppmacf_rel":null,"ppmacf_target":null,"ppmacf_description":null,"ppmacf_inbuilt":null,"ppma_boxes_layout_meta_value":null,"ppma_disable_author_box":null,"_mc4wp_settings":null,"text_subscribed":null,"text_invalid_email":null,"text_required_field_missing":null,"text_already_subscribed":null,"text_error":null,"text_unsubscribed":null,"text_not_subscribed":null,"text_no_lists_selected":null,"text_updated":null,"text_spam":null,"_pingme":null,"_encloseme":null,"_wp_trash_meta_comments_status":null,"_elementor_page_assets":null,"_elementor_element_cache":null,"_wp_page_template":null,"_elementor_edit_mode":null,"_elementor_template_type":null,"foxiz_content_total_word":null,"_elementor_version":null,"_elementor_data":null,"ppma_authors_name":"Malik Thompson","rb_global_meta":null,"_elementor_controls_usage":null,"_wp_old_date":null,"ao_post_optimize":null,"rank_math_analytic_object_id":null,"rank_math_og_content_image":null,"_edit_lock":null,"rank_math_seo_score":null,"rank_math_internal_links_processed":null,"_edit_last":null,"_wpml_word_count":"557","_wpml_location_migration_done":"1","rank_math_focus_keyword":"Impact des tarifs des films de Trump sur le Canada","rank_math_title":null,"rank_math_description":"Tarifs de Trump: La menace de taxes de 25% secoue le cin\u00e9ma canadien, mettant en p\u00e9ril des milliers d'emplois et l'\u00e9conomie. D\u00e9tails et implications ici!","_wpml_media_duplicate":null,"_wpml_media_featured":null,"_top_nav_excluded":null,"_cms_nav_minihome":null,"_last_translation_edit_mode":null,"_elementor_template_widget_type":null,"_elementor_popup_display_settings":null,"_wp_trash_meta_status":null,"_wp_trash_meta_time":null,"_wp_desired_post_slug":null,"_elementor_css":null,"authors":[{"term_id":162,"user_id":2,"is_guest":0,"slug":"malik-thompson","display_name":"Malik Thompson","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/eb18019eba0d827ea7001bab491d4cbb?s=96&d=mm&r=g","author_category":"1","first_name":"Malik","last_name":"Thompson","user_url":"https:\/\/mediawall.news","job_title":"Social Affairs & Justice Reporter","description":"Social Affairs & Justice Reporter<\/strong><\/p>\r\nBased in Toronto<\/em><\/p>\r\nMalik covers issues at the intersection of society, race, and the justice system in Canada. A former policy researcher turned reporter, he brings a critical lens to systemic inequality, policing, and community advocacy. His long-form features often blend data with human stories to reveal Canada\u2019s evolving social fabric.<\/p>"}],"_links":{"self":[{"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/posts\/3427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/comments?post=3427"}],"version-history":[{"count":0,"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/posts\/3427\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/media\/3425"}],"wp:attachment":[{"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/media?parent=3427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/categories?post=3427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/tags?post=3427"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.mediawall.news\/fr\/wp-json\/wp\/v2\/ppma_author?post=3427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}